Anton UNAI
Rough and elegant artworks from traditional aesthetic boundaries. Meta-narratives, pop, science, subculture artifacts, religious iconography and a wide breadth of literary references from Therapeutic nihilism to anti Anti art
with the will to Nothingness...
Anton UNAI
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Against Transparency, 
Against Interpretation, 
Against Love: 
Has provocation lost its edge?
Residencia en la Tierra
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He mingled with Jaybo, Nico HBC, Juan Ugalde, Stephen Sarre and Jan Kage, enjoyed wine and cigars with Karin Kruse, Dolly, Keno, Julian, Xose and Tobias. anton UNAI was the Zelig of his time.
He mingled with Jaybo, Nico HBC, Juan Ugalde, Stephen Sarre and Jan Kage, enjoyed wine and cigars with Karin Kruse, Dolly, Keno, Julian, Xose and Tobias. anton UNAI was the Zelig of his time.
He mingled with Jaybo, Nico HBC, Juan Ugalde, Stephen Sarre and Jan Kage, enjoyed wine and cigars with Karin Kruse, Dolly, Keno, Julian, Xose and Tobias. anton UNAI was the Zelig of his time.
He mingled with Jaybo, Nico HBC, Juan Ugalde, Stephen Sarre and Jan Kage, enjoyed wine and cigars with Karin Kruse, Dolly, Keno, Julian, Xose and Tobias. anton UNAI was the Zelig of his time.
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“In pictures I can only go back over the same ground,” Unai said in 2007. “Painting me, seems to be finished for me.” He turned to sculpture.
“In pictures I can only go back over the same ground,” Unai said in 2007. “Painting me, seems to be finished for me.” He turned to sculpture.
“In pictures I can only go back over the same ground,” Unai said in 2007. “Painting me, seems to be finished for me.” He turned to sculpture.
“In pictures I can only go back over the same ground,” Unai said in 2007. “Painting me, seems to be finished for me.” He turned to sculpture.
“In pictures I can only go back over the same ground,” Unai said in 2007. “Painting me, seems to be finished for me.” He turned to sculpture.
“In pictures I can only go back over the same ground,” Unai said in 2007. “Painting me, seems to be finished for me.” He turned to sculpture.
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GRAFFITTI WRITER
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When the fatwa against anton UNAI came round, things turned nasty, and art/literary society took sides.  WARSAWAN DIARIES
When the fatwa against anton UNAI came round, things turned nasty, and art/literary society took sides.  WARSAWAN DIARIES
When the fatwa against anton UNAI came round, things turned nasty, and art/literary society took sides.  WARSAWAN DIARIES
When the fatwa against anton UNAI came round, things turned nasty, and art/literary society took sides.  WARSAWAN DIARIES
When the fatwa against anton UNAI came round, things turned nasty, and art/literary society took sides.  WARSAWAN DIARIES
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An artist’s memory is a dangerous, necessary thing.
Verano, cactus garden, swimming blues, navegation, solitarios, Hiroshima amours, Castelldefels offers a range of thinking memory storylines. Which cross and flee from each other
An artist’s memory is a dangerous, necessary thing.
Verano, cactus garden, swimming blues, navegation, solitarios, Hiroshima amours, Castelldefels offers a range of thinking memory storylines. Which cross and flee from each other
An artist’s memory is a dangerous, necessary thing.
Verano, cactus garden, swimming blues, navegation, solitarios, Hiroshima amours, Castelldefels offers a range of thinking memory storylines. Which cross and flee from each other
An artist’s memory is a dangerous, necessary thing.
Verano, cactus garden, swimming blues, navegation, solitarios, Hiroshima amours, Castelldefels offers a range of thinking memory storylines. Which cross and flee from each other
An artist’s memory is a dangerous, necessary thing.
Verano, cactus garden, swimming blues, navegation, solitarios, Hiroshima amours, Castelldefels offers a range of thinking memory storylines. Which cross and flee from each other
An artist’s memory is a dangerous, necessary thing.
Verano, cactus garden, swimming blues, navegation, solitarios, Hiroshima amours, Castelldefels offers a range of thinking memory storylines. Which cross and flee from each other
An artist’s memory is a dangerous, necessary thing.
Verano, cactus garden, swimming blues, navegation, solitarios, Hiroshima amours, Castelldefels offers a range of thinking memory storylines. Which cross and flee from each other
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anton UNAI doesn’t believe in beliefs. He strives to hold as few convictions as possible, a stance bizarre, perverse, and impossible in live painting

Form of visual performance art] in which artists complete a visual art piece in a public performance public event, accompanied by music .The artwork which is created live may be planned or improvisational. There are no rules but to create a SHOW.
anton UNAI doesn’t believe in beliefs. He strives to hold as few convictions as possible, a stance bizarre, perverse, and impossible in live painting

Form of visual performance art] in which artists complete a visual art piece in a public performance public event, accompanied by music .The artwork which is created live may be planned or improvisational. There are no rules but to create a SHOW.
anton UNAI doesn’t believe in beliefs. He strives to hold as few convictions as possible, a stance bizarre, perverse, and impossible in live painting

Form of visual performance art] in which artists complete a visual art piece in a public performance public event, accompanied by music .The artwork which is created live may be planned or improvisational. There are no rules but to create a SHOW.
anton UNAI doesn’t believe in beliefs. He strives to hold as few convictions as possible, a stance bizarre, perverse, and impossible in live painting

Form of visual performance art] in which artists complete a visual art piece in a public performance public event, accompanied by music .The artwork which is created live may be planned or improvisational. There are no rules but to create a SHOW.
anton UNAI doesn’t believe in beliefs. He strives to hold as few convictions as possible, a stance bizarre, perverse, and impossible in live painting

Form of visual performance art] in which artists complete a visual art piece in a public performance public event, accompanied by music .The artwork which is created live may be planned or improvisational. There are no rules but to create a SHOW.
anton UNAI doesn’t believe in beliefs. He strives to hold as few convictions as possible, a stance bizarre, perverse, and impossible in live painting

Form of visual performance art] in which artists complete a visual art piece in a public performance public event, accompanied by music .The artwork which is created live may be planned or improvisational. There are no rules but to create a SHOW.
anton UNAI doesn’t believe in beliefs. He strives to hold as few convictions as possible, a stance bizarre, perverse, and impossible in live painting

Form of visual performance art] in which artists complete a visual art piece in a public performance public event, accompanied by music .The artwork which is created live may be planned or improvisational. There are no rules but to create a SHOW.
anton UNAI doesn’t believe in beliefs. He strives to hold as few convictions as possible, a stance bizarre, perverse, and impossible in live painting

Form of visual performance art] in which artists complete a visual art piece in a public performance public event, accompanied by music .The artwork which is created live may be planned or improvisational. There are no rules but to create a SHOW.
anton UNAI doesn’t believe in beliefs. He strives to hold as few convictions as possible, a stance bizarre, perverse, and impossible in live painting

Form of visual performance art] in which artists complete a visual art piece in a public performance public event, accompanied by music .The artwork which is created live may be planned or improvisational. There are no rules but to create a SHOW.
anton UNAI doesn’t believe in beliefs. He strives to hold as few convictions as possible, a stance bizarre, perverse, and impossible in live painting

Form of visual performance art] in which artists complete a visual art piece in a public performance public event, accompanied by music .The artwork which is created live may be planned or improvisational. There are no rules but to create a SHOW.
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“I do not like publication of letters or dedicatory notes,” wrote anton UNAI. Reading the back of his artworks, we see why he wanted to keep his private life private… more»
“I do not like publication of letters or dedicatory notes,” wrote anton UNAI. Reading the back of his artworks, we see why he wanted to keep his private life private… more»
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Death is a topic about which much has been said, little of it reassuring. For anton UNAI, who thought about it constantly, life meant preparing to die. Dying young.
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Biographers tend to depict anton UNAI as a glamorous – if (s)texually perverted – cosmopolitan. But consider him, harried and confused, in New York. Thats history now.
Biographers tend to depict anton UNAI as a glamorous – if (s)texually perverted – cosmopolitan. But consider him, harried and confused, in New York. Thats history now.
Biographers tend to depict anton UNAI as a glamorous – if (s)texually perverted – cosmopolitan. But consider him, harried and confused, in New York. Thats history now.
Biographers tend to depict anton UNAI as a glamorous – if (s)texually perverted – cosmopolitan. But consider him, harried and confused, in New York. Thats history now.
Biographers tend to depict anton UNAI as a glamorous – if (s)texually perverted – cosmopolitan. But consider him, harried and confused, in New York. Thats history now.
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Biographers tend to depict anton UNAI as a glamorous – if (s)texually perverted – cosmopolitan. But consider him, harried and confused, in New York. Thats history now.
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anton UNAI, chronically underrated, had a year of recognition at the age of 4, which he calls “a very unexpected occurrence.” He didn’t expect to still be alive when he finnished this colouring LONDON UNDERGROUND TRAIN back in the 1970s. ASK him Now…